With underlying shadows that imply sunlight or an overhead lamp, Morrison’s drawings are deceptively realistic, appearing like three-dimensional organic matter resting atop blank sheets of paper.ĭepicting burst pomegranates or an iris on the brink of opening, the colored pencil works reflect the relationship between the whole specimen and the delicate veins, stems, and fleshy material responsible for sustaining life. All images © David Morrison, courtesy of Garvey | Simon Gallery, New York, shared with permissionĪrtist David Morrison highlights the fragility and fleeting nature of life through fresh magnolia blooms or a parched maple seed pod. 3,” colored pencil on paper, 20 x 20 inches. Head to the artist’s Instagram for a preview of the exhibition, which runs from October 8 to December 11. That includes things like generations of broken neon tubes, which most people wouldn’t ever think about… EVILUTION is a kind of retrospective of everything I’ve been doing over the last ten years, and also a way of looking towards the future. Many of our sculptures use obvious household trash, but we want to show that there’s a whole ecosystem of junk laying around out there that is threatening nature. It’s unbelievable what people throw away. The show also marks Bordalo II’s first foray into neon, which he describes in a statement: Spray-paint cans are slotted into an abstract mosaic of a raccoon, while neon tubing illuminates a range of sculptural creatures including a fox, spider, and even a snail strapped to an electric scooter.ĮVILUTION, which opens this weekend at the Edu Hub of Lisbon, exposes the incredible array of material humans discard and how such waste affects the environment and biodiversity. Spanning ten years of his career, EVILUTION reflects the environmental themes the artist has been drawn to for at least the last decade that are reflected through his signature Trash Animals, creatures comprised of entirely salvaged materials. Until then, find more of Mixe’s works on Instagram and her site.Īll images © Bordalo II, shared with permissionĪ seven-meter-tall squirrel made of railway dividers, decommissioned industrial hoses, and shopping carts in disrepair opens a massive retrospective from Portuguese artist Bordalo II ( previously). The Butterfly Effect, which will feature an on-site mural, opens on November 3 at Saatchi Gallery in London. Whether presented as symmetric tableaus as in “Dragon Flying Birds” or an anatomical assemblage of flora and fauna in “Curious Collection,” the specimens detail the similarities and interconnected nature of all earthly life. Each work juxtaposes the artist’s elegant graphic style against the worn backdrops, which reflect a past of human intervention through splattered paint, scratches, and printed text. Working in acrylic on found wooden boxes and furniture panels, Mixe accentuates the lush motifs of scales, branches, or feathers in renderings devoid of color. In The Butterfly Effect, French artist Lily Mixe illustrates the textured patterns of beetles, shells, cells, and birds through stark black and white. All images © Lily Mixe, courtesy of Saatchi Gallery, shared with permission “Curious Collection” (2022), acrylic paint on wooden box assemblage, 33 x 31.5 centimeters.
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